Stuprum 3

Bex Massey’s professional practice stems from an overtly figurative use of graphite and oils.  Her earlier work was centred on classical literature and constructing reinterpretations in modern day scenarios. Although she still touches upon historical references, the past four years have seen her further analyse modern day texts such as broadsheets, magazines and comic books

Massey’s work is based on current affairs, social issues and the way in which they are documented in the Media.  At present we are bombarded with so much unfiltered information that crucial issues are often overlooked. Likewise, we view such a plethora of depressing imagery and shock tactic headlines-we have become almost dehumanised to an individual’s tragedy. 

With such a volume of statistics and crude data being continuously thrown at us-is it just easier to overlook the harsh reality of the facts?  Too frequently are we told what to think, feel and do.  She therefore poses questions to viewers, and in so doing offers a platform for them to readdress modern day issues through the use of ambiguity, omission and satire.

Bex enjoys obscuring what the audience would ‘normally’ view as the salient part of a scenario or scene.  Likewise, she leaves areas unfinished, blurred or blank for the audience to fill in themselves.  This shift in structure and emphasis often leads to a sense of unrest within her pieces, and a distinct feeling that there are much more sinister undertones lurking beneath the surface.