The Wave
The Wave
by Phil M Davis
Year created: 2010
Medium: Painting
Size (H x W x D): 52 x 45 x 2.5 cm
First painting of a triptych depicting the tsunami
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The Master And Margharita. Oil On Canvas. 2008
This painting explores the novel 'The Master And Margharita' The scene depicted is a composite of different parts of the novel but brings them all together through the string pulling...Size (HxWxD): 45 x 35 x 2 cm
£900.00 -
Stencil Expressionism Study. Hidden Identities In Winter. Venice.
This is a scene of Venice I have recreated in many paintings throughout my career as an artist but each take on it involves a different narrative. The figures in red reflect a...Size (HxWxD): 55 x 45 x 2.5 cm
£1,200.00 -
Stencil And Expressionism Study. Bar Scene 2. Oil/Acrylic On Canvas
This painting is essentially the same setting as Bar Scene 1 and it features the same woman in more or less the same pose. It's composition however is more defined and has taken on a new meaning...Size (HxWxD): 79 x 59 x 2.5 cm
£1,600.00 -
The Destruction
Second painting of a triptych depicting the TsunamiSize (HxWxD): 52 x 45 x 2.5 cm
£1,500.00 -
The Wave
First painting of a triptych depicting the tsunamiSize (HxWxD): 52 x 45 x 2.5 cm
£1,500.00 -
The Wreckage Zone
Third painting of a triptych depicting the TsunamiSize (HxWxD): 52 x 45 x 2.5 cm
£1,500.00 -
The Festival Goers
Scene depicting the vibrancy of a festival. the painting doesnt reflect any festival in particular but was created just to capture the mood, colour and pulsating vibrancy of being at a festival.Size (HxWxD): 75 x 65 x 2.5 cm
£1,400.00 -
Last Of The Sun (A Town Full Of People On A Sunny Afternoon) - Signature Art Prize 2012 Finalist
This piece has been entered into the 2012 Signature Art Prize www.signatureartprize.com. It is available to purchase but it may not be available until October if selected as a semi or finalist. We...Size (HxWxD): 61 x 91 x 1.75 cm
£2,100.00
Phil Davis studied Fine Art and Sculpture at Loughborough University, completing his degree in 2004. An accomplished draughtsman, Phil initially presented scenic depictions and travel experiences in pencil and oil pastel, using intense, bold colours as a way of reflecting a childlike wonder in the new, and in a sense the extreme, sometimes uncomfortable emotional commitment involved in relating to the culturally unfamiliar.
Changing to working largely with oils resulted in work of much greater vibrancy, and allowed the extreme emotional sensations in which he was interested to be committed more successfully to canvas. His work now strives to acknowledge both the positive and negative energies, the good and the bad consequences, of these emotions, and how they inform our view of the world around us.
More and more he attempts to inject the same feeling into his portrait/figurative work by representing the figurative form as an emotionally charged contradiction, as a twisted and gnarled yet beautiful representation of pain and raw feeling, as well as an object of pure physicality.
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