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Artist

Carole Graslan

Wimbledon College of Art (BA Hons Fine Art Painting, 2000 / 2000)

Interview

What is your favourite film of all time?

Dangerous liaisons. 1988.

What music are you currently listening to and why?

Nothing in particular.

Which living artists do you most admire and why?

I'm not aware of anyone particular influence although the work of the artists I have been interested in can have an accumulative effect. I have been impressed by Zao Wu Ki, Basil Beattie, Julian Schnabel, mainly for the gestural way, the vivacity and the immediacy of handling paint which gives a real power to the work.

Which deceased artist do you most admire and why?

For the same reasons, I admire the work of the abstract expressionnists such as Jackson Pollock, Franz Kline, Clifford Still, Hans Hoffman,Mark Rothko.

Which exhibition that you have visited made the greatest impact on you and why?

Mark Rothko exhibition 1998 in Paris. I've been seduced and immediately emotionnally involved into the picture plane with his colours,The soft, luminous colours of the symmetriaclly ordered rectangles and the expansive scale of his dramatic canvas brings out a serene subtlety, engulfing the viewer with a sense of passion, tragedy and the sublime.

What is the question you get asked most frequently about your work and how do you answer it?

How do you get your ideas? What is your inspiration? Everything around me is a source of inspiration.

What / who inspired you to be an artist?

The observation of the world that surrounds me, thoughts, reflections, analysis, concentration and imagination all nurture my inspiration.

Can you tell us about where you make your art and what if any the significance of this location is?

I have the chance to work either in my studio in France in a very peaceful environmemt or at home in my studio in London. I attempt to work every day of the week because I feel the necessity to paint in order to feel complete, and for that reason I have the essential philosophy of living and working in the same site.

What do you like most about being an artist?

The freedom to explore new ideas and the intense activity that reigns in my study, always losing the notion of time until my body and mind demand a rest.

What is your greatest achievement as an artist to date?

I'm pleased about all what have done so far : exhibitions in France, London, New York, commissioned painting for interior designer.However I believe the best is yet to come.

What are your plans for the coming year?

To create new work, and do exhibitions.

Latest artwork - View all by this artist

  • The Black City
    Size(HxWxD):30x24x2.5cm
    £660.00
  • Heat And Icy Climate II
    Size(HxWxD):63x51x2.5cm
    £1,350.00
  • The Fall Of Darkness
    Size(HxWxD):46x60x2.5cm
    £1,300.00
  • The Black Sea
    Size(HxWxD):30x70x2.5cm
    £1,300.00
  • The Yellow Sea
    Size(HxWxD):46x60x2.5cm
    £1,300.00
  • The Black Window
    Size(HxWxD):60x46x2.5cm
    £1,300.00
  • Under The Snow
    Size(HxWxD):71x55x2cm
    £1,350.00
  • Above
    Size(HxWxD):70x70x2.5cm
    £1,680.00
  • Primary Red, Dark Blue, Ochre, Blue
    Size(HxWxD):0x0x0cm
    £2,000.00
  • Yellow, Black, Pink
    Size(HxWxD):92x75x3.5cm
    £2,000.00
  • Burnt Sienna, Dark Blue, Yellow
    Size(HxWxD):210x160x5cm
    £4,000.00
  • Heat And Icy Climate I
    Size(HxWxD):45x32x3.5cm
    £800.00

Artist's statement

 Ideas and Inspiration

Initial inspiration has changed a lot for me due to the fact that my paintings in the beginning were surrealist. I now consider myself to be an abstract painter, inspired by the outer tangible world.

The observation of the world that surrounds me, thoughts, reflections, analysis, concentration and imagination all nurture my inspiration.

My paintings convey the free expression of my intuitive and emotional side.

Intuitive paintings open up our imagination where mysterious worlds and life forms can evolve, creating a visual language, posing some sense of mystery and forcing the viewer to construct their own ideas.

Importance lies in the individuality of each work and the individual viewer's experience.

Painting is a state of being and I believe that in the subjective process of painting, I would find my own definition.

 

From palette to Picture

The complex nature of my work starts out from a great table, where the process of creation begins with the preparation of the canvas using cotton, denim or other fabric. I apply rabbit skin glue or primer in several layers before painting, a process that acquires time between layers and drying. During this process I am already organizing the space, creating different textures to obtain several planes and depth. My chromatic language is wide but I mainly work with oil paint. The application technique is varied, using brushes, spatulas, rags, papers, etc., and applying many thick or diluted layers, according to the concept of the project.

My goal is creating reflective and honest work, permitting chance.

Driven by an inner force, I explore the very process of painting as I work and rework the canvas in a free search for the essence of things. I activate the picture surface by creating a relationship between form, space, colour and line.

Exhibitions

2009 - Vienna/London. Group Exhibition. WUK Projektraum. Vienna. Austria 

 2009- The Affordable Art Fair. The Art Movement. London.UK

2009 - Solo Exhibition. Le Roman Bleu. Noirmoutier. France.
 
2009 - Group Exhibition. Gallery SCA. Shrewsbury. UK
 
2009 - Untitled. The Uk’s Largest Artist Fair. Chelsea Old Town Hall.  Kings Road. London. UK
 
2008 - The Affordable Art Fair. The Art Movement. London. UK
 
2006 - The contemporary Islington Art & Design fair. Candid Art Gallery. Angel. London. UK
 
2006 - Solo.Exhibition. The Chapel. Edgeware road. London
 
2003 - The Affordable Art Fair. The Art Movement. New York.
 
2003 - The Affordable Art Fair. The Art Movement. London.
 
2002 - Solo Exhibition. Café Brera. Canary wharf. London.
 
2001 - The contemporary Islington Art & Design fair. Candid Art Gallery. Angel. London.
 
2000 - Masters and Bachelors Group Exhibition. Students Gallery. Wimbledon. London.
 
2000 - Group Exhibition. Clapham Art Gallery. Clapham. London.
 
2000 - Degree Show Exhibition. Wimbledon School of Art. London.
 
1999/2000 - Solo Exhibition in “Tamo Restaurant”. Newbury Street. London EC1.
 
1999 - Group Exhibition “Engaging with Pollock” organized by the Tate Gallery. The Lethaby Gallery, Central Saint Martins College of Art and Design. Southampton Row. London WC1.

Recently sold artwork

  • The Journey
    Size(HxWxD):66x97x5cm
  • Les terres de feu
    Size(HxWxD):61x162x5cm
  • Heat Wave
    Size(HxWxD):130x110x5cm
  • Red Immensity
    Size(HxWxD):100x100x5cm
  • The Golden Lake
    Size(HxWxD):130x110x5cm
  • Dawn and the Purple Mist
    Size(HxWxD):130x110x5cm
  • The Icy Charcoal Desert
    Size(HxWxD):100x75x5cm
  • The Waves of Sienna
    Size(HxWxD):92x75x5cm
  • Red Infliction
    Size(HxWxD):130x90x5cm
  • Untitled 2006
    Size(HxWxD):110x100x5cm
  • Desert
    Size(HxWxD):110x110x5cm
  • The Amethyst Desert
    Size(HxWxD):81x122x5cm
  • The Lost World in Fusion
    Size(HxWxD):142x101x5cm
  • Melting Caramel
    Size(HxWxD):140x100x5cm
  • The Purple Ocean
    Size(HxWxD):81x61x3.5cm
  • The Pink Sea
    Size(HxWxD):61x60x3cm
  • The Darkest Night
    Size(HxWxD):60x90x3cm
  • The Gold Tree
    Size(HxWxD):46x60x2.5cm
  • Grey Sky And Burning Lake
    Size(HxWxD):46x45x2cm
  • Afrique : Le Sacrifice Et L'Intouchable
    Size(HxWxD):190x84x2.5cm
  • Orange, Red, Grey
    Size(HxWxD):92x75x3.5cm
  • Red, Yellow, Black, Pink
    Size(HxWxD):210x160x5cm
  • The Golden Times
    Size(HxWxD):92x75x4cm