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Designer
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Hannah Biscombe
University of Wales Institute Cardiff (MA Fine Art, 2005 / 2005)
  • Positive Blue Tadpole Grid #25
    Size (H x W x D): 40 x 55 x 5 cm
    £190.00
  • Rat Steps #6
    Size (H x W x D): 50 x 50 x 2 cm
    £850.00
  • Negative Baby Rat Wave #30
    Size (H x W x D): 150 x 100 x 2 cm
    £2,000.00
  • Positive Mice Grid #7
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Rat Steps #4
    Size (H x W x D): 75 x 75 x 2 cm
    £1,000.00
  • Negative Baby Rat Tumble & Red Chrysanthemums #1
    Size (H x W x D): 37 x 45 x 2.5 cm
    £430.00
  • Negative Tadpole Grid #9
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Positive/Negative Crab Grid #2
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Negative Baby Rat Sphere #88
    Size (H x W x D): 93 x 93 x 2 cm
    £1,500.00
  • Positive Baby Rat Sphere #8
    Size (H x W x D): 37 x 37 x 5 cm
    £190.00
  • Positive Mice Grid #13
    Size (H x W x D): 100 x 150 x 2 cm
    £1,900.00
  • Negative Snakeskin #15
    Size (H x W x D): 150 x 40 x 2 cm
    £1,000.00
  • Positive Blue Baby Rat Wave #282
    Size (H x W x D): 19 x 13 x 0 cm
    £190.00
  • Mixed Positive/Negative Grid #13
    Size (H x W x D): 5 x 50 x 35 cm
    £190.00
  • Blue Fish Chambers #5
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Containment Siderat Grid #30
    Size (H x W x D): 93 x 93 x 2 cm
    £1,500.00
  • Negative Mice Grid #9
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Rat Steps #5
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Rat Circle Separates
    Size (H x W x D): 37 x 37 x 5 cm
    £1,200.00
  • Positive Tadpole Grid #7
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • layered green mice #13
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Large Negative Rat Jar #7
    Size (H x W x D): 37 x 37 x 2.5 cm
    £190.00
  • Positive Blue Tadpole Grid #5
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Negative Blue Tadpole Grid #3
    Size (H x W x D): 100 x 100 x 2 cm
    £1,250.00
  • Salvation Army Wave (80 percent to be sent to the Japan appeal)
    Size (H x W x D): 21 x 29.5 x 0 cm
    £35.00
  • Negative Blue Baby Rat Wave #28
    Size (H x W x D): 5 x 50 x 35 cm
    £190.00
  • 20 Tanks #23
    Size (H x W x D): 75 x 60 x 2 cm
    £2,450.00
  • Positive Blue Newt Pond #1
    Size (H x W x D): 150 x 100 x 2 cm
    £1,900.00
  • Positive Green Tadpole Grid #10
    Size (H x W x D): 100 x 100 x 2 cm
    Sold
  • Negative Baby Rat Sphere on Red #58
    Size (H x W x D): 29.7 x 21 x 0.5 cm
    £110.00
  • Positive Gold Frogs and Ripples #7
    Size (H x W x D): 33.4 x 48.7 x 2.5 cm
    £190.00
  • Positive Baby Rat Sphere #8 (Royal Blue, Light Blue, Red, Yellow and Turquoise)
    Size (H x W x D): 21 x 21 x 0.5 cm
    £110.00
  • Negative Mice Grid #11
    Size (H x W x D): 29.7 x 42 x 2.5 cm
    £170.00
  • Mixed Blue Positive/Negative Grid #15
    Size (H x W x D): 51.5 x 36 x 2.5 cm
    £190.00
  • Negative Baby Rat Sphere on Yellow #58
    Size (H x W x D): 38 x 36.5 x 2.5 cm
    £190.00
  • Bright Blue Fish Grid
    Size (H x W x D): 20 x 20 x 4 cm
    £120.00
  • Rat Circle Separate #11
    Size (H x W x D): 37 x 37 x 2 cm
    £250.00
  • Small Tadpole Grid #26
    Size (H x W x D): 19 x 19 x 2.5 cm
    £110.00
  • Negative Blue Rat Stack with Bird #12
    Size (H x W x D): 150 x 40 x 2 cm
    £1,250.00
  • Original Baby Rats Contact Photogram #3
    Size (H x W x D): 36.4 x 41.3 x 2 cm
    £500.00
  • Small Tadpole Grid #23
    Size (H x W x D): 18.5 x 19 x 2.5 cm
    £110.00
  • Frog and Tadpole Grid #7
    Size (H x W x D): 50.5 x 40 x 4 cm
    £300.00
  • Negative Baby Rat Wave on Blue #38
    Size (H x W x D): 29.7 x 42 x 0.5 cm
    £190.00
  • Original Baby Mice Contact Photogram #18
    Size (H x W x D): 40 x 40 x 5 cm
    £400.00
  • Positive Baby Rat Sphere on Blue #8
    Size (H x W x D): 21 x 21 x 0.5 cm
    £110.00
  • Small Newt Grid #33
    Size (H x W x D): 19 x 19 x 2.5 cm
    £110.00
  • Third Silk Pond
    Size (H x W x D): 93 x 58 x 5.5 cm
    £950.00
  • Negative Baby Rat Wave Fragment on Red #28.
    Size (H x W x D): 38 x 36.5 x 2.5 cm
    £300.00
  • Original Fish in Jar Contact Photogram #11
    Size (H x W x D): 40 x 40 x 1 cm
    £400.00
  • Rat Circle Separate #9
    Size (H x W x D): 37 x 37 x 2 cm
    £250.00
  • Negative Baby Rat Wave on Grey #38
    Size (H x W x D): 33.4 x 42.4 x 2 cm
    £170.00
  • Blue Ripples #15
    Size (H x W x D): 26 x 44.2 x 1 cm
    £300.00
  • Negative Baby Rat Wave on Pastel Green Cyan #38
    Size (H x W x D): 29.7 x 42 x 0.5 cm
    £170.00
  • Small Baby Mice Grid #8
    Size (H x W x D): 19.5 x 19 x 2 cm
    £110.00
  • Small Tadpole Grid #21
    Size (H x W x D): 19 x 18.5 x 2.5 cm
    £110.00
  • Blue Water
    Size (H x W x D): 20 x 20 x 4 cm
    £120.00
  • Original Frog Contact Photogram #3
    Size (H x W x D): 40 x 40 x 5 cm
    £400.00
  • Negative Baby Rat Sphere on Red #8
    Size (H x W x D): 21 x 21 x 0.5 cm
    £110.00
  • Small Fish and Crustacean Grid #31
    Size (H x W x D): 19 x 19 x 2.5 cm
    £110.00
  • Negative Green Baby Rat Wave #38
    Size (H x W x D): 77 x 102.5 x 4.5 cm
    £800.00

Profile

My working practice is based on the use of photograms - a primitive photographic technique that records the space around objects on paper. My work is made using live animals.

 
I graduated from the University of Wales, Newport in 2004 with a BA in Fine Art and Contemporary Media and from the University of Wales Institute, Cardiff in 2005 with a Masters of Arts: Fine Art.
 
My working practice utilises photography's oldest and newest forms, the photogram and digital editing and printing. These prints are made directly from contact with living animals. 
 
This work experiments with the idea of capturing a trace of touch - in making images with ‘life’ and developing a visual language through them. The weight, the size and the shape of things contribute to the image but are also lost in it.  The majority of my subjects are my pets.
 
My photograms are processed traditionally and then scanned to enable them to be reconstructed as larger, increasingly complex works. They are then printed. As the original objects are unique so to is each finished piece.
 
Hannah was awarded the Brian Taylor Award.

Exhibitions

Solo Exhibitions

Hospital club and Art Below “Escape” competition, Lightbox, Bond street underground station, April - May 2010

Artlounge, Three White Walls Gallery, Birmingham. June 2007

Art Below, Billboard, Kennington - Northern Line Platform 1 Northbound, (Charing Cross Branch), July 2006

DegreeArt.com, Canary Wharf, Solo Shop Front Display, January 2006

g39 (open season), ‘TRACES’ (An exhibition of digitally reconstructed photograms), June 2004

Group Exhibitions

Affordable Art Fair Hamptead, London, Degreeart, 27th - 30th October 2011

Affordable Art Fair Battersea, London, Degreeart, 19th - 21st October 2011

Nailphilia, Degreeart.com, Vyner Street, London 1st - 25th September 2011

The Signature Art Awards 2011, Degreart.com, Vyner Street, London, 3rd - 28th August 2011

Affordable Art Fair Bristol, Degreeart, 12th - 17th May 2011 

BOA's Virtual Gallery Digital Tour Competition in association with Art Below, Liverpool Street Underground station, 18th - 25th April 2011

The Sketchbook Project 2011, Brooklyn Art Libruary and various American art galleries and museums, visit http://www.arthousecoop.com/sketchbookproject2011 for details, February 19 - July 31 2011 

  

The 2010 ING Discerning Eye Exhibition, The Mall Galleries, 11 to 21 November 2010

Affordable Art Fair Battersea Park, DegreeArt, 21st - 24th October.

Cork Street Open Exhibition, 27-28 cork street, August 2010

The Welsh Artist of the year 2010, St Davids Hall, July – August 2010

SHOP, Queens arcade, Cardiff, August 2009

The signature photography awards, The Empire Gallery, London, May 2009

Collect4 photography week, The Empire Gallery, London, October 2008

Magpie Gallery, Cardiff, mixed exhibition, September – December 2008

The signature photography awards, Anchor

Old Natwest, Cardiff Bay, ‘Bank Job 2’, October 2007

Old Natwest, Cardiff Bay, ‘Bank Job’, October 2005

University of Wales Institute, Cardiff, ‘Masters Exhibition’, September 2005

Paintworks, Bristol, ‘Degree Art’, June 2005

Paintworks, Bristol, ‘5 Metre’, June 2005

Moloko Vodka Bar, Cardiff, ‘MASS:EYE’ (Flying below the Radar), October 2004

Cardiff City Hall, ‘Art For Youth’, October 2004

University of Wales, Newport, ‘Degree Show’, May 2004

Interview

What is your favourite film of all time?

"Blade Runner",  "Princess Monoke" and "oni baba" are some of my favorite films of all time.

My favorite directors include Hayao Miyazaki, Ridley Scott and Joel & Ethan Cohen.

What music are you currently listening to and why?

Jurassic 5

LCD soundsystem

Bailey Cooke

Tool

 

Which living artists do you most admire and why?

Damien Hirst because of his brass nerve. I am facisinated by his taxidermy work and butterfly paintings.

Which deceased artist do you most admire and why?

eonardo Di Vinci because he was a vertuiso in so many respects. Marcel Duchamp and Andy Warhol because they had so much style.

Which exhibition that you have visited made the greatest impact on you and why?

The first time I saw Francis Bacons large lurid figures in the flesh whilst studying for my A levels. Prints of Bacon's paintings in books did not move me but in the flesh they are breathtaking, awesome. This was the first time I had experienced the enormity of the gap between artworks in the flesh and the documentation of them for the sake of art history.

What is the question you get asked most frequently about your work and how do you answer it?

How are they made?

This work is made using the most primitive form of photography whereby objects are placed directly on the paper and exposed to light. Literally taking the animals down to darkroom. After developing these prints they are scanned either and then edited back into whole images. The finished piece is a large digital print.

What / who inspired you to be an artist?

My mum has always painted and my family have provided me with a lot of support, both financial and emotional, and in terms of equipment. If that seems like a fairly standard answer. Mr. Read of the art department at Wheatley Park School singled me out to study art towards the end of the first year of sixthform. I had not studied art for my gcses. I believe dropping geography was a very formative step in becoming an artist. Being taught by the Fine Art department for a period of my BA due to tutor absence on my own course made me realise that I was in the wrong department.

Can you tell us about where you make your art and what if any the significance of this location is?

I make the original exposures in the darkroom that my parents allow me to keep in their cellar. This significantly has been the sole workplace for this even during my Ba and masters study as a traditional darkroom and a working practice that is reliant on live subjects and turning on the lights are not really compatible. Depending on the scale of the original print the scanning I mostly get done for me as alot of my work needs to be scanned in A3 panels. The editing is something that I do in my flat. The final file is delivered to a professional printers and framers for the final production phase.

What do you like most about being an artist?

I enjoy making the work. Argueably the experience of making and processing the original prints. This is made exciting by the inherent element of chance and the infinate variation the process that I use.

 

Creating something that is entirely mine

What is your greatest achievement as an artist to date?

The fact that I have been able to carry on producing work.

What are your plans for the coming year?

To make new prints and thus some entirely new work. To make new work from existing prints. Make some bird photograms. To set up a website.