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Designer
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  • Profile
  • Exhibitions
  • Interview
Natalia Davis
Leeds University (BA Fine Art / 2009)
  • Construction#1
    Size (H x W x D): 50.5 x 76 x 5 cm
    £700.00
  • Head Study, Reclining
    Size (H x W x D): 100 x 70 x 5 cm
    £1,100.00
  • Waterway#2
    Size (H x W x D): 40.5 x 51 x 5 cm
    £480.00
  • Waterway#3
    Size (H x W x D): 40.5 x 51 x 5 cm
    Sold
  • Page Green (Ltd edn print)
    Size (H x W x D): 50.8 x 76.2 x 0.1 cm
    £180.00
  • Waterway#1
    Size (H x W x D): 45.5 x 61 x 1 cm
    Sold
  • Eastern Scene#2
    Size (H x W x D): 62 x 91 x 5 cm
    Sold
  • Blue Street#3
    Size (H x W x D): 50.5 x 76 x 5 cm
    Sold
  • Redlands (Ltd edn print)
    Size (H x W x D): 50 x 70 x 0.1 cm
    £180.00
  • Red Head#1
    Size (H x W x D): 102 x 76 x 5 cm
    Sold
  • Girl, Untitled
    Size (H x W x D): 100 x 70 x 5 cm
    £1,100.00
  • Head, Study#3
    Size (H x W x D): 100 x 70 x 5 cm
    Sold
  • Blue Street#2
    Size (H x W x D): 45.5 x 61 x 5 cm
    Sold

Profile

The exploration of process is central in Natalia’s work. Through a variety of collected reference material, her paintings explore themes of construction, growth, formation and deformation, boundaries and territories.   

‘I am interested in the states and sites of the in between, the transitional. This is developed in my work not only in terms of subject matter; images of construction sites, abandoned buildings and derelict urban spaces feature commonly in my paintings, but in my approach to painting and the painting process.

My paintings are developed over quite long periods of time and I tend to work in short bursts. Using loose brushwork to map out surface and form, I work across the canvas drawing elements together with thin washes, picking out areas of detail and blocking out with solid colour. As such, not only is the construction of the images present in the finished work, but the work is very much determined by this process. I also try to achieve a slightly unresolved or unstable quality in my paintings and through the layers of energetic, structural and increasingly abstract brushwork, the images seem to shift, drawing together and pulling apart.’ 

Exhibitions

2012 'Art of Angel' in association with Art Below - Angel Underground / Candid Arts Trust, London

 

2011 'All I want for Christmas...' - The Hospital Club, London

2011 Parallax AF - La Galleria, Royal Opera Arcade, London

2011 ICADF - Candid Arts Trust, London

2011 Great Book of Tottenham - Bernie Grant Arts Centre, London

2011 Artsdepot Open - Apthorp Gallery, London

2011 Midsummer Art Fair - Landmark Arts Centre, Teddington

2011 Dazed and Refused - Hurwendeki, London

 

2009 LDS:09 - University of Leeds, Leeds

Interview

What is your favourite film of all time?

What music are you currently listening to and why?

Which living artists do you most admire and why?

Which deceased artist do you most admire and why?

Which exhibition that you have visited made the greatest impact on you and why?

What is the question you get asked most frequently about your work and how do you answer it?

What / who inspired you to be an artist?

Can you tell us about where you make your art and what if any the significance of this location is?

What do you like most about being an artist?

What is your greatest achievement as an artist to date?

What are your plans for the coming year?